ARCHIVES
BAM ARCHIVES ( 2015 - )
CONTEMPORARY CLASSIC
OVERTURE
MINDFUL DISRUPTION
THREADS, FOLDS & RABBIT HOLES
EXPLORING THE BAM COLLECTION
DNSPE 2024 PRINT SYMPOSIUM PRINT EXCHANGE
PANOPLY: 26 PAINTED LIVES
GIRLS WITH CAMERAS
RETRO URBAN PORTRAITS
A LITTLE TOO LITTLE, A LITTLE TOO MUCH
SWEET DREAMS
TRANSIT TERRAIN YOUSSEF SHEROUBI FRAGMENTS & FABRICATIONS DELECTABLE GARDEN PEOPLE/PLACES/THINGS H X W X D
LEGENDS
ITWSSOP
STAR CHILDREN
RADIUS I
NO BORING ART
NEXUS
PAPIER SURFIN
WHY
LEBO
SALVADOR DALÍ
TIM HURSLEY
ECLECTIC
BODY [PARTS]
ALRIGHT
ROBYN HORN
JOHN KEECH
SHARED VISION
QUIET WORK
CYCLE
SILENT FOREST
CHAMPION TREES
ARBORETUM
JUDY CROOK 5
NURTURENATURE
LOCAL COLOR
EMBELLISH
KIFF SLEMMONS
VICINITY
DELITA MARTIN
CONTINUAL MYTH
SEAT ASSIGNMENT
AR NEIGHBORS
BELIEVE
GUY CHURCH
PURE LINE
HMONG TEXTILES
ACCALIA
SELAH
IT FIGURES
PAPIER SURFIN
CURTIS STEELE
September 26 - November 13, 2019
This solo exhibition by former chair of the Department of Art + Design and professor of art, Curtis Steele, “focuses on the miniscule packaging of cigarette rolling papers.” He talks about his “fascination with the idea of the package as an art object” that he obtained at a young age by viewing works like Stuart Davis’ Lucky Strike, Edward Ruscha’s Actual Size, and Andy Warhol’s Brillo Boxes. He goes on to explain:
“When working on these pieces, there is a transcendental state that I enter where time has no significance. I work in solitude and in silence. Each Bezier curve I draw and each pixel I modify becomes the focus of eye and hand, an intuitive response, not the result of a conscious thought process. That is not to imply that there is no thought behind the work, the process is both meditative and stimulating. The result appears simple. Yet, in creating this apparent simplicity I find much satisfaction.”