ARCHIVES
BAM ARCHIVES ( 2015 - )
CONTEMPORARY CLASSIC
OVERTURE
MINDFUL DISRUPTION THREADS, FOLDS & RABBIT HOLES
EXPLORING THE BAM COLLECTION
DNSPE 2024 PRINT SYMPOSIUM PRINT EXCHANGE
PANOPLY: 26 PAINTED LIVES
GIRLS WITH CAMERAS
RETRO URBAN PORTRAITS
A LITTLE TOO LITTLE, A LITTLE TOO MUCH
SWEET DREAMS
TRANSIT TERRAIN YOUSSEF SHEROUBI
FRAGMENTS & FABRICATIONS DELECTABLE GARDEN PEOPLE/PLACES/THINGS H X W X D
LEGENDS
ITWSSOP
STAR CHILDREN
RADIUS I
NO BORING ART
NEXUS
PAPIER SURFIN
WHY
LEBO
SALVADOR DALÍ
TIM HURSLEY
ECLECTIC
BODY [PARTS]
ALRIGHT
ROBYN HORN
JOHN KEECH
SHARED VISION
QUIET WORK
CYCLE
SILENT FOREST
CHAMPION TREES
ARBORETUM
JUDY CROOK 5
NURTURENATURE
LOCAL COLOR
EMBELLISH
KIFF SLEMMONS
VICINITY
DELITA MARTIN
CONTINUAL MYTH
SEAT ASSIGNMENT
AR NEIGHBORS
BELIEVE
GUY CHURCH
PURE LINE
HMONG TEXTILES
ACCALIA
SELAH
IT FIGURES
CONTEMPORARY CLASSIC
September 12 - November 20, 2024
Contemporary Classic is a curated group exhibition featuring five artists whose work revisits and reimagines themes from art history. The show investigates the ways in which art connects to the world of its audience, exploring the idea that all history is art history, the ways in which art today always builds upon the art of yesterday, and the necessity of artistic challenges to historical narratives.
“In the show’s title, we use the word ‘classic’ – which does have a specific meaning and connotations within art history – as more of a play on words,” said Madeline McMahan, curator and assistant director at BAM. “We are using the word ‘classic’ the way a radio station would; the artwork in ‘Contemporary Classic’ explores many of art history’s ‘greatest hits’ – certainly not always its best moments, but some of its most influential.”
Due to the vastness of art history, the show narrows its focus to portraiture. Most of the artists are painters. Vitus Shell creates images of black community members that utilize the gold ground of Byzantine icons paired with collaged 20th century advertisements. Carlos Gámez de Francisco uses Photoshop-esque distortions and postmodernist absurdity to form his own whimsical take on the royal portrait. Angela Fraleigh appropriates women from art historical paintings and reimagines them in abstracted, utopian worlds of feminine community. Klaire Lockheart paints masculine “dudes” posed in the same positions as the odalisques of French orientalism, and Ayam Yaldo, the only non-painter in the exhibition, explores many of the 20th and 21st century consequences of that same orientalist propaganda with her video “Impossible Sites.” The video allows her to use the “magic carpet” of the green screen to explore Mesopotamian artifacts layered with footage from the Gulf War. Yaldo’s work also provides a disciplinary bridge between “Contemporary Classic” and its two companion exhibitions: “Meaningful Disruption” and “Overture.” These are exhibitions of portrait photography from artists Chantal Lesley and Benry Fauna.
Artists included in the exhibition are Vitus Shell, Angelia Fraleigh, Klaire Lockheart, Carlos Gamez de Franciso, and Ayam Yaldo.